Lesson plans for ages 15-18 in Art: Repatriation and Graphic Communication

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Congolese artist Milus with pictures he is working on at the Legufu Refugee Camp in Tanzania. The refugee once painted President Mobutu Sese Seko; he now paints scenes of daily camp life.

© UNHCR/T.Holden

LESSON 1: The state of art in Germany between the world wars

Entry behaviour

This unit of lessons could be taught after the students have covered the art movements of the early 20^th century, Expressionism, Surrealism and Dadaism. If cross-disciplinary collaboration exists in your school, these lessons could coincide with history lessons dealing with World War I and its aftermath.

Preparation

Prepare sufficient copies of a brief, straightforward account of German society during and after World War I, such as "Germany: World War I: The Weimar Republic", World Book Encyclopedia (Chicago & London, World Book, annual). You could choose an appropriate chapter from a History textbook. Other references are supplied in the unit plan.

Procedure

Ask the students to read through the material. After the reading, to check their understanding, ask the students questions such as the following:

How do World War I casualty rates compare with the number of fallen soldiers in previous wars? What contributed to the enormously high casualties? What other damage and destruction did the war bring about? What were the economic consequences suffered by all the participating countries? What happened to the governments of the participating countries? Which countries became republics? What happened to the old empires? What type of social changes were brought about by World War I?

Discussion questions

What are some ways in which people can express their criticism or dissatisfaction with society? (Possible answers could include protest marches, graffiti, letters to newspaper editors, taking out advertisements, songs, but also serious works of art: paintings, sculpture, photographs - and literature: novels, drama, poetry, non-fiction.) Under what circumstances might a government be justified in censoring or prohibiting such critical expression? Should works of art have a special status, exempting them from censorship or prohibition? What moral and legal problems might such a special status pose?

You may wish to come back to these questions at the end of the unit of work. One or other of them may be a suitable essay topic for evaluation purposes.